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敘事上玩了點花樣，打亂時間順序，學生時代、年少成名、流浪生涯三線并行，但并沒有看出這樣玩的必要性，反而削弱了情感張力。但“天才作家從此封筆并滿世界焚燒自己已出版的作品”這樣的孤絕姿態(tài)畢竟還是迷人的，甚至自帶一種隱微而破碎的脆弱，見之心哀。

系列很經典，但幾部曲中最沒有映像的就是這部。

I've no idea how to comment this movie, it's a biography of a free soul's short life so as to a film. a novelist succeeded young, a manipulating mother killed his son, an idealist wife died in vain, a competitor played the role of exclusive, every thing seemed to be contrived, while every thing was inevitable. this was a tragedy, more sad than any tragedy before, 'cause it was us. 7.5

除了題材新意之外沒有什么可看的，羅德尼又打了次醬油。還有結尾的中國話說的真是難聽

I know I'll see you again, this side or the other.